1688 New Year Blow Ye sons of Phoebus all appear x / x x x / x / To welcome the returning year Cho: x / x x x / x / To welcome the returning year
CT solo (recorders): / x / x / x / All that gently touch the string 3/i [6/4] x x / / x / x / x / Or the loud organ beat Or shake the lyre x x / / x / x / x / Or the soft pipe with artful breath inspire / x / x / x / All that play and all that sing / x / / x / x / x / Come the glad months with music usher in Comments: Strong delay on ‘All…’ (both lines). ‘Come’ arrives on 2nd beat of bar, immediately after ‘sing’ on beat 1. No repetitions of ‘come’. B solo: x / x / x / x / Ye sons of Phoebus all appear Split C-time Cho: x / x / x / x / Ye sons of Phoebus all appear [new section] / / x / x x x / Tis fit with music we begin x / x / x / x / The God of music is the same x / x / x / That measures out the year T solo: / x x / / x x / What shall I sing, what shall I play 3/i x / x / x / x / To celebrate the year’s birthday x / / x / x / For whom shake the trembling lyre x / x / x / x / For whom the tuneful pipe inspire x / x / x / x / For whom awake the sleeping lyre / x x / / x x / What shall we sing, what shall we play x / x / x / x / To celebrate the year’s birthday Comments: French gigue style, much use of sautillant figure for opening line (dactylic). Developed as ritornello afterwards: strings, then recorders, then strings. Sautillant figures and other quicker dotted rhythms throughout. A & B duet: / x / x / x / Caesar all our songs does claime Split C-time x / / / x / / x There is no other name worthy x / x x x / The voice of us and fame / / x x / / x / Tis only for great Caesar’s sake 3/i / / x / x / x / More coming years we long to see x / / / / / x / He each new day does happy make x x x x / / x / That else would a new torment be / x / x / x / Split C-time What are days or months or years x / x / x / x / If Godlike Caesar disappear / x / x / x / Caesar all our songs does claime x / / / x / There is no other name Comments: Triple-time section is mostly even-crotchet. Melismas contain dotted rhythms, but no syllabic dots. Note change back to time signature to Split C-time at change to fully trochaic line. B solo: x / x / x / x / x / In Caesar all the joint perfections meet 4/4 x / x / x / x / That featur’d here and there we find / / x / x / x / x / Each virtue does his sister virtue greet x / x x x / x / And peacefully adorn his mind x / x / x x x / x / His well known valour and heroic heat 3/i / x / x / x / Softest pity does allay x / x / x / x / x / Where most offended goodness most he shows / / x / x / x / Thus twice he overcomes his foes x / x / x / But this the nobler way / x x / x / x / Mercy with justice takes her seat x / xx / x / x / x / x / And every virtue does his sister virtue greet Comments: ‘overcomes’ – ‘ver’ on first beat of bar. Cho: / x / x / x x / Sing aloud that heaven may [hear] 3i to 2 to split C to 2 etc. / x / x x x / x / x / Hear the thanks that we for giving Caesar pay / x x x / x x / x / Praying for him how for our selves we pray Comments: Starts in 3i for ‘Sing aloud’ (seamless from prev. verse) Then changes to 2. Line begins after minim rest (on weak beat). A, T, B verse: / / x / x / x x x / May all the pleasures greatness and renown 3/i x / x / x / x x x / Without the anxious troubles of a crown / / x x / / This year on him be shed / / x / x / x / x / May all the blessings, plenty, ease and peace x / x x x x / x x x / He showers on us with multiplied increase / x x / x / Flow on his royal head Alto solo: / / x/ x x x / x / May Gloriana in whose sacred womb Split C-time / / x / x / x / x / Are treasur’d up the hopes of years to come / x x / / / Crown with a Prince this year x / x / x / x / x / A Prince that shall of Caesar’s mighty mind / / x / x / x / x / May Gloriana’s charming sweetness joined x / x / x / The noble image bear Cho: x / x x x / x / Then Caesar shall thy Godlike race 3/i x / x / x x / x / When late in heaven you take thy place NEW SECTION (still 3i, triple tercet). x / x / x / x / Command the isles and awe the sea x / / / x / x / Till years no more renew’d shall be x / x / x / x / x / x / Till time be swallow’d up in vast eternity
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